Research assignments from Yadegar Asisi, Clemens Tangerding, FeuerwehrMuseum Fulda (selection)
For the citizen science project "Das Dritte Reich und wir" (The Third Reich and us)
Part-time
Full teaching assignments for:
PostDoc Research and full teaching assignment for Dramaturgy
PhD Research and assisting teaching assignment for:
Supervisor: Prof. Dr. Katharina Pewny,
Co-supervisor: Prof. Dr. Christel Stalpaert
Title: Visually Speaking. A Research into Visual Strategies of Illusion in Postdramatic Theater.
Defended on 8 January 2016
Erasmus exchange during the entire academic year
Cum Laude
Master thesis: There is Something empty in the Sky. A research into the history of the picture of ‘the Falling Man’ and its dialectic character.
Magna Cum Laude
Cum Laude
The training consists of 3 day sessions in which participants exchange teaching experiences, discuss and test educational principles and techniques. Furthermore, participants put these techniques into practice and give each other feedback.
Sinn und Bild. Immersive Kunst jenseits des Spektakels”
In: threesixo. Zeitschrift für immersive Kunst
Year of publication: 2022
“Toont de app BeReal de ‘echte’ wereld zonder vals te spelen?”
In: Rekto:Verso (Online)
Co-authors: Sixtine Bérard & Jeroen Coppens
Year of publication: 2022
“The Drama(turgy) of Non-Belonging. An interview with Motus on Sharing Identity in Panorama.”
In: Critical Stages. The IATC Journal (20).
Year of publication: 2020
“The Image as Event. The Lives of Images in M.#10 Marseille and So Little Time.”
In: Forum Modernes Theater 30 (1-2), 47-59.
Year of publication: 2019
“How Images Survive (in) Theatre. On the Lives of Images in Rabih Mroué’s The Pixelated Revolution and Three Posters.”
In: The International Journal of the Image, 9 (2). 55-71.
Year of publication: 2018
“Der Januskopf Des Metabildes: (Des)Illusionierung in Vincent Dunoyers The Princess Project.”
In: TO DO AS IF – Realitäten der Illusion im zeitgenössischen Theater, 43–62.
André Eiermann (ed.), Frankfurt am Main: Peter Lang.
Year of publication: 2018
“Theaterdramaturgien von der Aufklärung bis zur Gegenwart. By Evelyn Deutsch-Schreiner. Vienna: Böhlau, 2016. Pp. 351. € 24,99 Pb.”
In: Theatre Research International 43 (1). 117-118.
Year of publication: 2018
Unfolding Spectatorship: Shifting political, ethical and intermedial positions.
Studies in Performing Arts & Media. Ghent: Academia Press.
Co-editors: Christel Stalpaert, Katharina Pewny, Jeroen Coppens & Pieter Vermeulen.
Year of publication: 2017
“Framing Technology. The Performative Trompe-l’œil Challenging the Eye.”
In: Unfolding Spectatorship: Shifting Political, Ethical and Intermedial Positions, 119-141.
Christel Stalpaert, Katharina Pewny, Jeroen Coppens & Pieter Vermeulen. (eds.), Ghent: Academia Press.
Year of publication: 2017
“Introduction.”
In: Unfolding Spectatorship: Shifting Political, Ethical and Intermedial Positions, 3-20.
Co-authors: Christel Stalpaert, Katharina Pewny, Jeroen Coppens & Pieter Vermeulen.
Christel Stalpaert, Katharina Pewny, Jeroen Coppens & Pieter Vermeulen. (eds.), Gent: Academia Press.
Year of publication: 2017
“‘Ik ben fervent voor culturele globalisering’. Interview met Matthias Lilienthal.”
In: Etcetera (151). 30–32.
Year of publication: 2017
“De Chris Dercon-crisis.”
In: Etcetera (148), 12–17.
Year of publication: 2017
“Visuelle Dramaturgie: (Theater-)Bilder, die denken.”
In: Episteme des Theaters : Aktuelle Kontexte von Wissenschaft, Kunst und Öffentlichkeit, Vol. 90, 496–499.
Milena Cairo, Moritz Hannemann, Ulrike Haß, & Judith Schäfer (eds.), Bielefeld: Transcript.
Year of publication: 2016
“(Re)animating the image: staging media in Romeo Castellucci’s M.#10 Marseille.”
In: DOCUMENTA, 34 (1), 10–27.
Year of publication: 2016
“Europa: ist das Kunst oder kann das weg? De Europese identiteitscrisis en de Biënnale van Wiesbaden.”
In: Etcetera (147), 11–15.
Year of publication: 2016
Visually speaking: A research into visual Strategies of Illusion in Postdramatic Theater.
Ghent University. Faculty of Arts and Philosophy.
Year of publication: 2015
“Staging Film: a Woman and her Camera.”
Brussels.
Year of publication: 2015
Dramaturgies in the new millennium: Relationality, performativity and potentiality.
Schriftenreihe Forum Modernes Theater. Tübingen: Narr Francke Attempto Verlag.
Co-editors: Katharina Pewny, Johan Callens.
Year of publication: 2014
“The in-between of Visual Dramaturgy.”
In: Dramaturgies in the New Millennium : Relationality, Performativity and Potentiality, Vol. 44, 147–161.
Katharina Pewny, Johan Callens & Jeroen Coppens (eds.), Tübingen: Narr Francke Attempto Verlag.
Year of publication: 2014
“Introducing Dramaturgies in the New Millennium.”
Co-authors: Katharina Pewny, Johan Callens
In: Dramaturgies in the new Millennium: Relationality, Performativity and Potentiality, Vol. 44, 7–13.
Katharina Pewny, Johan Callens, & Jeroen Coppens (eds.), Tübingen: Narr Francke Attempto Verlag.
Year of publication: 2014
“The Rule of the Line: in search of a free and moved language.”
In: Bewegung lesen. Bewegung schreiben, 147–155.
I. Wortelkamp (Ed.), Berlin: Revolver Publishing.
Year of publication: 2011
“Folding Mutants or Crumbling Hybrids? Of Looking baroque in contemporary Theatre and Performance.”
In: Bastard or Playmate? Adapting Theatre, mutating Media and contemporary performing Arts, 90–101.
Robrecht Vanderbeeken, Christel Stalpaert, David Depestel, & Boris Debackere (eds.), Amsterdam: Amsterdam University Press.
Year of publication: 2011
“Palestinians in Wonderland? Over de moord op Juliano Mer-Khamis en de hopeloos-hoopvolle tendens naar artistiek geweldloos verzet in de Palestijnse gebieden.”
In: Etcetera, 29 (125), 26–29.
Year of publication: 2011
“From the Museum to Instagram. Feminist Performance Art on Social Media.”
Paper presented at the ISIS conference (International Society for Intermedial Studies) The Intermedial Work of Art.
Paris, France, 5-7 November 2020.
“How Images Survive (in) Theatre. On the Lives of Images in Rabih Mroué’s The Pixelated Revolution.”
Paper presented at the conference: On The Image.
Venice, Italy, 1-2 November 2017.
“Visualität als Kritik. Die (Wieder)Belebung des Bildes in Romeo Castelluccis M.#10 Marseille.”
Paper presented at the 13th Kongress der Gesellschaft für Theaterwissenschaft: Theater als Kritik.
Frankfurt am Main, Germany, 1-2 November 2016.
“(Re)Animating the Image. Staging Media in Romeo Castellucci’s M.#10 Marseille.”
Paper presented at the conference: On the Image.
Liverpool, United Kingdom, 1-2 September 2016.
“(Re)Animating the Image. Staging Media in Romeo Castellucci’s M.#10 Marseille.”
Paper presented at the IFTR-conference: Presenting the Theatrical Past.
Stockholm, Sweden, 13-17 June 2016.
Wrap-up sessions for Tracing Creation: Genes, Genetics and Genealogies.
Antwerp, Belgium, 9-11 March 2016.
“(Theater)Bilder die denken. Wissen und Visualität im Postdramatischen Theater.”
Paper presented at the conference: Theater als (H)Ort des Wissens.
Ghent, Belgium, 14-15 December 2015.
“Visuelle Dramaturgie. (Theater)Bilder die Denken.”
Paper presented at the 12th Kongress der Gesellschaft für Theaterwissenschaft: Episteme des Theaters.
Bochum, Germany, 25-28 September 2014.
“Thinking Pictures. The Power of Perspective in Postdramatic Theatre.”
Paper presented at the 5th Global Conference: Visual Aspects of Performance Practice.
Prague, Czech Republic, 7-9 November 2014.
“The New Media Trompe-l’œil as a metapicture. Visuality and Self-reference in Vincent Dunoyer’s The Princess Project.”
Paper presented at the inaugural conference of ISIS (International Society for Intermedial Studies): Rethinking Intermediality in the Digital Age.
Cluj-Napoca, Romania , 24-26 October 2013.
“The New Media Trompe-l’œil as a metapicture. Visuality and Self-reference in Vincent Dunoyer’s The Princess Project.”
Paper presented at the 4th Global Conference: Visual Aspects of Performance Practice.
Oxford, United Kingdom, 17-19 September 2013.
“Performing the Trompe-l’œil. Baroque Immersive Strategies in Contemporary Performing Arts.”
Paper presented at the Conference On Spectatorship: The Gaze is Us!
Ghent, Belgium, 23 March 2011.
“Of Looking Baroque in Contemporary Theatre. Perception, Spectatorship and Subjectivity in Tragedia Endogonidia.”
Paper presented at the 10th Kongress der Gesellschaft für Theaterwissenschaft: Theater und Subjektkonstitution.
Mainz, Germany, 28-31 October 2010.
Mother tongue
Excellent language skills
Excellent language skills
Very good language skills
Excellent specialized skills
Word, Excel, Powerpoint, Outlook, Teams, Sharepoint
Excellent specialized skills
Pages, Numbers, Keynote
Excellent specialized skills
Excellent specialized skills
Very good skills
Basic skills
Acrobat DC, Photoshop